On Flocking

A major experiment in The Sea Pageant is flocking.

We start every rehearsal with a flocking warm-up. On the day of the show all 100 performers will flock together. Rarely do we talk about what flocking is.

I learned the term flocking in grad school, but was exposed to it in various rehearsal processes before that. It's always been something we speak little about in terms of its technique, but feel a lot about it in terms of its internal centering power. Most people I've worked with recognize flocking as an important way to drop in, connect with your partners, and warm up your body, letting your mind slip away from the driver's seat.

Bringing flocking to The Sea Pageant performers has caused us to challenge our thoughts on how to teach flocking, especially as something to perform. When flocking is a warm-up that you discover, it has a magic edge as you gradually feel what it means rather than understand it. When you turn a warm-up into a performance, you have to ask for something specific, which is the opposite of gradually feeling.

It's hard to describe what we are looking for to the people who are inside of it without destroying it, and so I find myself repeating: listen to each other, take the lead when it's given to you, follow with simplicity, make your partner successful, and seek forward momentum.

If you happen to come to The Sea Pageant, when we get to flocking section, keep in mind that the performers are all improvising. They don't have a plan for which corner to go to or who is leading. You may wonder, how are they doing that? How do they know when to turn? Remember they are listening to each other, making each other successful, moving forward, turning their minds off, and following instinct. I have no idea how it will look, but from the inside I hope they enjoy the ride.